I started with a styrofoam egg and drew a basic draft of a face on it, to be able to visualize better what will go where and so on. I stuck a knitting needle and later a triangular rasp into the base of the head where the neck would go, to be able to hold the head better during sculpting. That looked like this:
After my clay arrived here I applied some basic layers of it onto the styrofoam core until it looked like a basic shape of a face I could work with later on. Of course I inserted beads where the eyes and joints of the ears would go. For doing so, I cut some of the styrofoam away, so I could insert the beads with a bit of putty.
I let everything dry over night, sanded away some dents and bumps and added more clay to get a more realistic back of the head and skull shape overall. Again, I let it dry over night.
I added eyelids to the beads and then noticed, that the nose was a obstacle rather than of any help, so I removed it and decided to draw aid lines all over the head. This is supposed to help me get the symmetry right, because symmetry is a hard thing to achieve, but it's crucial for sculpting. Also, symmetry = beauty. :)
This stage reminds me a bit of Voldemort, hrh.
While the eyelids are drying, I'm trying to think of a good way to protect the joints and the paint there from abrasion later on. I guess just varnish won't help, so I'll maybe add blue, thin felt to the joints?
Once the eyelids are cured, I'll add the brows, epicanthal fold and pica semilunaris/lacrimal caruncle.
Image source: http://www.isec.my/ |
Once that is cured, I'll add the nose, then the mouth and afterwards I'll adjust the chin, cheecks, forehead and so on. So, stay tuned for Part 2! :)
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